[{"data":1,"prerenderedAt":972},["ShallowReactive",2],{"$fPxl_PbsY-P3pVUO2VChAz94dP11o9ZxQFIokMCDwzn0":3,"$fC9D2MUSK5M4z_dRePhEsm0xq7ukkt-DKC6KW1maXHf4":21,"kirby:\u002Fseptember24.json":31},{"menu":4,"logo":15,"subline":17},[5,9,12],{"title":6,"slug":7,"uri":8},"Showcase","home","",{"title":10,"slug":11,"uri":11},"Projects","projects",{"title":13,"slug":14,"uri":14},"About","about",{"src":16},"https:\u002F\u002Fcontent.berndeuler.com\u002Fmedia\u002Fsite\u002F26a5d902ae-1619522707\u002Fbernd-euler_logo_01.svg",{"marquee":18,"speed":19,"subpages":20},"Development and manufacturing of metalworks and prototypes, production of works by contemporary artists. \u003Cem>Entwicklung und Fertigung von Metallbauarbeiten und Prototypen, Produktion von Arbeiten zeitgenössischer Künstler*innen. \u003C\u002Fem>Bernd Euler GmbH, Liebermannstraße 24-28, 13088 Berlin \u003Ca href=\"tel: +49 30\u002F96 24 80 95\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">+49 30 96 24 80 95\u003C\u002Fa>, \u003Ca href=\"mailto: office@berndeuler.com\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">office@berndeuler.com\u003C\u002Fa>","50","\u003Ca href=\"tel: +49 30\u002F96 24 80 95\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">+49 30 96 24 80 95\u003C\u002Fa>, \u003Ca href=\"mailto: office@berndeuler.com\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">office@berndeuler.com\u003C\u002Fa>",{"footer":22,"backToTop":29},[23,26],{"title":24,"internalLink":25,"externalLink":8},"Imprint","imprint",{"title":27,"internalLink":28,"externalLink":8},"Privacy","privacy",{"text":30},"Top",{"data":32},{"template":33,"slug":34,"uid":34,"meta":35,"data":39},"defaultPage","september24",{"siteTitle":36,"pageTitle":34,"description":37,"ogImage":38,"tags":8},"EULER","Bernd Euler GmbH, Liebermannstraße 24-28, 13088 Berlin 030\u002F96 24 80 95, office@berndeuler.com",null,{"settings":40,"layout":42},{"greybg":41},true,[43,56,87,96,105,130,135,159,164,222,281,341,350,370,390,432,479,488,497,535,544,587,629,663,676,685,727,769,811,824,833,875,917,959],{"id":44,"isheadlinelayout":41,"fullscreen":45,"fullheight":45,"columns":46},"layout-d826622b-22a5-4186-9489-61c5678654df",false,[47],{"span":48,"blocks":49},12,[50],{"type":51,"id":52,"data":53},"headingBlock","block-5936dfd6-703a-438a-96f2-0f0d677881bb",{"text":54,"level":55},"SEPTEMBER WORKSHOP 2024","h2",{"id":57,"isheadlinelayout":45,"fullscreen":45,"fullheight":45,"columns":58},"layout-d0206588-3856-493e-994d-60d64dbce0cc",[59,67],{"span":60,"blocks":61},8,[62],{"type":63,"id":64,"data":65},"videoBlock","block-6e299646-efb1-443c-a017-cf26c4d2cb9f",{"url":66,"caption":8},"https:\u002F\u002Fvimeo.com\u002F1061989411",{"span":68,"blocks":69},4,[70,74,79,83],{"type":51,"id":71,"data":72},"block-575bfecb-e21d-4914-898e-e6da69ec6cef",{"text":73,"level":55},"\u003Cem>September Workshop (DE)\u003C\u002Fem>",{"type":75,"id":76,"data":77},"textBlock","block-4e0fc7e0-ad8e-4667-9f75-1c5106f17487",{"text":78},"\u003Cp>Zusammen mit Elaine Bonavia und Lucas Macabéo haben wir im ersten \u003Cem>September Workshop\u003C\u002Fem> das Spannungsfeld zwischen Virtual Reality und Schmiedehandwerk erforscht.  Aus dem Dialog ist ein Objekt zwischen analogem und digitalem Raum entstanden.\u003C\u002Fp>\u003Cp>\u003C\u002Fp>",{"type":51,"id":80,"data":81},"block-7049ef01-6199-4ba0-8f80-6112b8de0956",{"text":82,"level":55},"\u003Cem>September Workshop (EN)\u003C\u002Fem>",{"type":75,"id":84,"data":85},"block-78ceac5b-fb28-4887-a8a4-1debdda940f4",{"text":86},"\u003Cp>\u003Cem>At our first \u003C\u002Fem>September Workshop\u003Cem> we explored the tensions and potentials between Virtual Reality and forging together with Elaine Bonavia and Lucas Macabéo.  \u003C\u002Fem>\u003C\u002Fp>",{"id":88,"isheadlinelayout":45,"fullscreen":45,"fullheight":45,"columns":89},"layout-51eec58b-6941-4233-afd8-f74d2b11f5a9",[90],{"span":48,"blocks":91},[92],{"type":75,"id":93,"data":94},"block-56293695-e7df-47d1-80b3-4ed5ce102aaa",{"text":95},"\u003Cp>Video: Aleksandra Kononchenko\u003C\u002Fp>\u003Cp>\u003C\u002Fp>\u003Cp>\u003C\u002Fp>",{"id":97,"isheadlinelayout":41,"fullscreen":45,"fullheight":45,"columns":98},"layout-1eef3b82-b776-4ccf-b6b0-ada67e3b8bc6",[99],{"span":48,"blocks":100},[101],{"type":51,"id":102,"data":103},"block-0c057811-2a38-4726-9e3b-bc9b19964d9a",{"text":104,"level":55},"Neue Formen für eine alte Kunst",{"id":106,"isheadlinelayout":45,"fullscreen":45,"fullheight":41,"columns":107},"layout-1e20a589-73e3-45d7-a8c0-d424b38272f5",[108,128],{"span":60,"blocks":109},[110,124],{"type":111,"id":112,"data":113},"imageBlock","block-a14a6b81-4c38-4f04-9aba-b69223685746",{"fullRes":114,"superHighRes":115,"highRes":116,"mediumRes":117,"lowRes":118,"placeholder":119,"size":120,"caption":38,"credit":38,"creditInvert":45,"orientation":123,"alt":8},"https:\u002F\u002Fcontent.berndeuler.com\u002Fmedia\u002Fpages\u002Fseptember24\u002F1caf31986d-1711008899\u002Feuler_september-workshop_scan-quer.jpg","https:\u002F\u002Fcontent.berndeuler.com\u002Fmedia\u002Fpages\u002Fseptember24\u002F1caf31986d-1711008899\u002Feuler_september-workshop_scan-quer-2000x-q90.jpg","https:\u002F\u002Fcontent.berndeuler.com\u002Fmedia\u002Fpages\u002Fseptember24\u002F1caf31986d-1711008899\u002Feuler_september-workshop_scan-quer-1400x-q90.jpg","https:\u002F\u002Fcontent.berndeuler.com\u002Fmedia\u002Fpages\u002Fseptember24\u002F1caf31986d-1711008899\u002Feuler_september-workshop_scan-quer-1200x-q90.jpg","https:\u002F\u002Fcontent.berndeuler.com\u002Fmedia\u002Fpages\u002Fseptember24\u002F1caf31986d-1711008899\u002Feuler_september-workshop_scan-quer-800x-q90.jpg","https:\u002F\u002Fcontent.berndeuler.com\u002Fmedia\u002Fpages\u002Fseptember24\u002F1caf31986d-1711008899\u002Feuler_september-workshop_scan-quer-100x-q90.jpg",{"width":121,"height":122},2486,2000,{"value":38},{"type":75,"id":125,"data":126},"block-a9fe833c-94a3-48c3-bee6-b588af3f0836",{"text":127},"\u003Cp>\u003Cem>Die Stahlplastik: ein Theorie und Anleitungsbuch zum plastischen Arbeiten mit Metallen \u002F Philippe Clérin\u003C\u002Fem> (Hg.), Verlag Paul Haupt, Bern, Stuttgart, Wien, 1995\u003C\u002Fp>\u003Cp>\u003C\u002Fp>",{"span":68,"blocks":129},[],{"id":131,"isheadlinelayout":45,"fullscreen":45,"fullheight":45,"columns":132},"layout-35a953bf-8fb0-48fd-8349-d79a27cc72d9",[133],{"span":48,"blocks":134},[],{"id":136,"isheadlinelayout":45,"fullscreen":45,"fullheight":45,"columns":137},"layout-9fd46367-c275-439d-baf0-0fcdcbfebb66",[138,147,157],{"span":68,"blocks":139},[140,143],{"type":51,"id":141,"data":142},"block-4f8c878f-475a-4730-8d2d-03b750e0ff7f",{"text":104,"level":55},{"type":75,"id":144,"data":145},"block-d941f74d-e65d-4228-a345-1283055ef879",{"text":146},"\u003Cp>Es gibt wohl kein Handwerk, das atmosphärisch und mythologisch so aufgeladen ist, wie das Schmieden: die extremen Temperaturen, die massiven, selbstgefertigten Werkzeuge und das rhythmische Hämmern machen die Schmiede zu einem spannenden und gleichzeitig historischen Ort. Die Schmiede, als zentraler Raum in vormodernen Gesellschaften, hat seit der Industrialisierung ihre gesellschaftliche und wirtschaftliche Bedeutung jedoch weitgehend verloren.\u003C\u002Fp>\u003Cp>Dabei könnte das Handwerk des Schmiedens insbesondere für gegenwärtige künstlerische Fragestellungen ein breites Spektrum an Werkzeugen und Herangehensweisen bieten. Die spezifischen Eigenschaften des Stahls und seiner Legierungen verlangen nach einer intensiven Auseinandersetzung mit dem eigensinnigen Material. Das Zusammenspiel von präziser technischer Arbeit mit geradezu geologischen Prozessen der Erhitzung und Verformung ermöglicht die Beschäftigung mit den tiefenzeitlichen Spuren gesellschaftlicher Prozesse. Das über Jahrtausende entwickelte und tradierte Know-how, die Notwendigkeit des Teilens von Wissen und Fertigkeiten machen die Schmiede zu einem paradigmatischen Ort des Austauschs und der Kollaboration.\u003C\u002Fp>\u003Cp>Um diesen Reichtum an Formen, Fragen und Verfahren erkunden zu können, haben wir 2023 die Euler-Schmiede gegründet. Die Schmiede befindet sich am Rande der Märkischen Schweiz, in Müncheberg, 50 km östlich von Berlin. Dort soll ein Ort zum Experimentieren und Forschen entstehen, an dem wir neue Formen aus dem alten Handwerk entwickeln wollen. \u003C\u002Fp>\u003Cp>Was ist das Spezifikum der Arbeit in der Schmiede? Auf welches Reservoir an Formen und Verfahren kann das Schmiedehandwerk zurückgreifen? Wie kann das über Jahrhunderte tradierte Wissen aus der Schmiede für gegenwärtige Fragestellungen weiterentwickelt werden?\u003C\u002Fp>\u003Cp>\u003C\u002Fp>",{"span":68,"blocks":148},[149,153],{"type":51,"id":150,"data":151},"block-c6e2ead3-3cf2-4893-b261-be369d546161",{"text":152,"level":55},"\u003Cem>New forms for an ancient art\u003C\u002Fem>",{"type":75,"id":154,"data":155},"block-dcd037ae-271a-4dc2-bb68-273425d5a95c",{"text":156},"\u003Cp>\u003Cem>There is probably no craft that is as atmospherically and mythologically charged as blacksmithing: the extreme temperatures, the massive, self-made tools and the rhythmic hammering make the forge an exciting and at the same time historical place. However, the forge, as a central space in pre-modern societies, has largely lost its social and economic significance since industrialisation.\u003C\u002Fem>\u003C\u002Fp>\u003Cp>\u003Cem>Yet the craft of blacksmithing could offer a broad spectrum of tools and approaches, particularly for contemporary artistic subjects. The specific properties of steel and its alloys call for an intensive examination of this stubborn material. The interplay between precise technical work and the almost geological processes of heating and deformation also allows us to engage with the traces of social processes throughout time. The expertise developed and handed down over thousands of years and the need to share knowledge and skills make the forge a paradigmatic place of exchange and collaboration.\u003C\u002Fem>\u003C\u002Fp>\u003Cp>\u003Cem>In order to explore this wealth of forms, questions and processes, we established the Euler-Schmiede in 2023. The forge is located on the edge of Märkische Schweiz, in Müncheberg, 50 kilometres east of Berlin. The aim is to create a place for experimentation and research where we can develop new forms from the old craft. \u003C\u002Fem>\u003C\u002Fp>\u003Cp>\u003Cem>What is special about the work in the forge? What resources of forms and processes can the blacksmith's craft draw on?  How can this knowledge of blacksmithing that was gathered and passed on over centuries become an opportunity to approach present topics?\u003C\u002Fem>\u003C\u002Fp>",{"span":68,"blocks":158},[],{"id":160,"isheadlinelayout":45,"fullscreen":45,"fullheight":45,"columns":161},"layout-20fb06ba-f6a1-49d3-9aab-bc34d963c13c",[162],{"span":48,"blocks":163},[],{"id":165,"isheadlinelayout":45,"fullscreen":45,"fullheight":45,"columns":166},"layout-f7fa7aac-4672-4b6d-82c7-7e4ec6eb6592",[167,186,203],{"span":68,"blocks":168},[169,182],{"type":111,"id":170,"data":171},"block-51ddcd7d-38a4-476c-89e6-f6703c37b388",{"fullRes":172,"superHighRes":173,"highRes":174,"mediumRes":175,"lowRes":176,"placeholder":177,"size":178,"caption":38,"credit":38,"creditInvert":45,"orientation":181,"alt":8},"https:\u002F\u002Fcontent.berndeuler.com\u002Fmedia\u002Fpages\u002Fseptember24\u002Fd2fc260da8-1711007738\u002Fimg-20240306-wa0021.jpg","https:\u002F\u002Fcontent.berndeuler.com\u002Fmedia\u002Fpages\u002Fseptember24\u002Fd2fc260da8-1711007738\u002Fimg-20240306-wa0021-2000x-q90.jpg","https:\u002F\u002Fcontent.berndeuler.com\u002Fmedia\u002Fpages\u002Fseptember24\u002Fd2fc260da8-1711007738\u002Fimg-20240306-wa0021-1400x-q90.jpg","https:\u002F\u002Fcontent.berndeuler.com\u002Fmedia\u002Fpages\u002Fseptember24\u002Fd2fc260da8-1711007738\u002Fimg-20240306-wa0021-1200x-q90.jpg","https:\u002F\u002Fcontent.berndeuler.com\u002Fmedia\u002Fpages\u002Fseptember24\u002Fd2fc260da8-1711007738\u002Fimg-20240306-wa0021-800x-q90.jpg","https:\u002F\u002Fcontent.berndeuler.com\u002Fmedia\u002Fpages\u002Fseptember24\u002Fd2fc260da8-1711007738\u002Fimg-20240306-wa0021-100x-q90.jpg",{"width":179,"height":180},923,1288,{"value":38},{"type":75,"id":183,"data":184},"block-7c5cdf46-a7fe-440d-9203-b3976ba59277",{"text":185},"\u003Cp>\u003Cem>Albert Paley, Sculpture, \u003C\u002Fem>Donald Kuspit (Hg.), Skira Editore S.p.A., 2006\u003C\u002Fp>",{"span":68,"blocks":187},[188,200],{"type":111,"id":189,"data":190},"block-451d8a75-80a3-4a06-bd21-102f419ed62d",{"fullRes":191,"superHighRes":192,"highRes":193,"mediumRes":194,"lowRes":195,"placeholder":196,"size":197,"caption":38,"credit":38,"creditInvert":45,"orientation":199,"alt":8},"https:\u002F\u002Fcontent.berndeuler.com\u002Fmedia\u002Fpages\u002Fseptember24\u002Fc7fb1a4de7-1711008405\u002Feuler_september-workshop_scan-3.jpg","https:\u002F\u002Fcontent.berndeuler.com\u002Fmedia\u002Fpages\u002Fseptember24\u002Fc7fb1a4de7-1711008405\u002Feuler_september-workshop_scan-3-2000x-q90.jpg","https:\u002F\u002Fcontent.berndeuler.com\u002Fmedia\u002Fpages\u002Fseptember24\u002Fc7fb1a4de7-1711008405\u002Feuler_september-workshop_scan-3-1400x-q90.jpg","https:\u002F\u002Fcontent.berndeuler.com\u002Fmedia\u002Fpages\u002Fseptember24\u002Fc7fb1a4de7-1711008405\u002Feuler_september-workshop_scan-3-1200x-q90.jpg","https:\u002F\u002Fcontent.berndeuler.com\u002Fmedia\u002Fpages\u002Fseptember24\u002Fc7fb1a4de7-1711008405\u002Feuler_september-workshop_scan-3-800x-q90.jpg","https:\u002F\u002Fcontent.berndeuler.com\u002Fmedia\u002Fpages\u002Fseptember24\u002Fc7fb1a4de7-1711008405\u002Feuler_september-workshop_scan-3-100x-q90.jpg",{"width":198,"height":198},1910,{"value":38},{"type":75,"id":201,"data":202},"block-9969445a-8d6a-4b44-a421-02c30c30c36c",{"text":185},{"span":68,"blocks":204},[205,218],{"type":111,"id":206,"data":207},"block-ab382fe8-dfef-47ac-98b6-3d800baab175",{"fullRes":208,"superHighRes":209,"highRes":210,"mediumRes":211,"lowRes":212,"placeholder":213,"size":214,"caption":38,"credit":38,"creditInvert":45,"orientation":217,"alt":8},"https:\u002F\u002Fcontent.berndeuler.com\u002Fmedia\u002Fpages\u002Fseptember24\u002F1a6eb2fa21-1711115353\u002Feuler_september-workshop_scan-5.jpg","https:\u002F\u002Fcontent.berndeuler.com\u002Fmedia\u002Fpages\u002Fseptember24\u002F1a6eb2fa21-1711115353\u002Feuler_september-workshop_scan-5-2000x-q90.jpg","https:\u002F\u002Fcontent.berndeuler.com\u002Fmedia\u002Fpages\u002Fseptember24\u002F1a6eb2fa21-1711115353\u002Feuler_september-workshop_scan-5-1400x-q90.jpg","https:\u002F\u002Fcontent.berndeuler.com\u002Fmedia\u002Fpages\u002Fseptember24\u002F1a6eb2fa21-1711115353\u002Feuler_september-workshop_scan-5-1200x-q90.jpg","https:\u002F\u002Fcontent.berndeuler.com\u002Fmedia\u002Fpages\u002Fseptember24\u002F1a6eb2fa21-1711115353\u002Feuler_september-workshop_scan-5-800x-q90.jpg","https:\u002F\u002Fcontent.berndeuler.com\u002Fmedia\u002Fpages\u002Fseptember24\u002F1a6eb2fa21-1711115353\u002Feuler_september-workshop_scan-5-100x-q90.jpg",{"width":215,"height":216},2010,2819,{"value":38},{"type":75,"id":219,"data":220},"block-c53d75ee-17a9-4591-83d0-f9d7289ce91e",{"text":221},"\u003Cp>\u003Cem>Alfred Habermann, Schmied und Gestalter,\u003C\u002Fem> Peter Elgaß, Verlag HEPHAISTOS, 1999\u003C\u002Fp>",{"id":223,"isheadlinelayout":45,"fullscreen":45,"fullheight":45,"columns":224},"layout-d8f13ac0-88a7-414e-b822-2588fbf866d9",[225,243,262],{"span":68,"blocks":226},[227,239],{"type":111,"id":228,"data":229},"block-6ac80358-0ab3-4b80-8881-ff5c0040f85e",{"fullRes":230,"superHighRes":231,"highRes":232,"mediumRes":233,"lowRes":234,"placeholder":235,"size":236,"caption":38,"credit":38,"creditInvert":45,"orientation":238,"alt":8},"https:\u002F\u002Fcontent.berndeuler.com\u002Fmedia\u002Fpages\u002Fseptember24\u002F6da5b3bb00-1711008992\u002Finstagram-post-190.jpg","https:\u002F\u002Fcontent.berndeuler.com\u002Fmedia\u002Fpages\u002Fseptember24\u002F6da5b3bb00-1711008992\u002Finstagram-post-190-2000x-q90.jpg","https:\u002F\u002Fcontent.berndeuler.com\u002Fmedia\u002Fpages\u002Fseptember24\u002F6da5b3bb00-1711008992\u002Finstagram-post-190-1400x-q90.jpg","https:\u002F\u002Fcontent.berndeuler.com\u002Fmedia\u002Fpages\u002Fseptember24\u002F6da5b3bb00-1711008992\u002Finstagram-post-190-1200x-q90.jpg","https:\u002F\u002Fcontent.berndeuler.com\u002Fmedia\u002Fpages\u002Fseptember24\u002F6da5b3bb00-1711008992\u002Finstagram-post-190-800x-q90.jpg","https:\u002F\u002Fcontent.berndeuler.com\u002Fmedia\u002Fpages\u002Fseptember24\u002F6da5b3bb00-1711008992\u002Finstagram-post-190-100x-q90.jpg",{"width":237,"height":237},1080,{"value":38},{"type":75,"id":240,"data":241},"block-c80aec75-964b-4170-a10a-52715154e4ec",{"text":242},"\u003Cp>\u003Cem>Schmiedearbeiten von heute: 275 Beisp. von Geländern, Türen, Garten- u. Einfahrtstoren, raumtrennenden Gittern, Fenstergittern, offenen Kaminen u. Kamingerät, Grabzeichen, Kreuzen, Schildern, Schriften usw., \u003C\u002Fem>Gretl Hoffmann &. 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